C. Lee McKenzie is here today to share about her new release,
Sudden Secrets, and to talk about writing the all important first chapter. After all, the story only has a small amount of space to grip the reader and make them care what happens to the characters or they'll put the book down.
Since I've started writing a new series, I've been researching this subject. We always want our latest book to be better than the last. We don't ever stop honing and learning our craft. There is always something new to learn. I'm focusing strongly on first chapters and pacing right now, because it sets the tone for the remainder of the book. There is a lot of helpful advice out there and I found Lee's process very helpful.
Here's Lee!
Promise and Deliver
I read a wonderful article by Peter Selgin in Writer a few
years ago, and it stuck in my head. This part is what I really noted, in fact,
underlined.
“Based on a book or story’s first chapter,
the reader will form certain expectations, which, unless they are met, will
cause consternation, disappointment or. . .amusement.”
I never want my readers to be dismayed or disappointed when
reading my books. I definitely do not want them to laugh at me. I think this
last would be the most humiliating. I like people to laugh at my words when I
plan it that way, but never by any unintentional slip up.
So how could I make the opening of my stories promise and the
rest of the story deliver? Here’s my simple-minded formula.
I write down the key elements of my story into a single sentence,
sometimes two. Never more. That way I can focus on what I want my reader to
expect after that first chapter.
When I’ve got a solid draft of chapter one, I
find someone who’s a terrible out-loud reader—someone
who doesn’t read my books or care to—and I bribe them to
read the first page out loud to me. Believe me, the flaws become so apparent I
want to cry.
During that excruciating experience, I listen
• for
the tone and style I’d set out to capture.
• for
the character’s voice and decide if the reader will know exactly what this
character wants or needs.
• to
find out if I was clear and precise in my choice of words and phrases, so
anyone reading this chapter is ready for what’s to come.
Once that first chapter’s the way I want it, I go through the
book, keeping an eye open for everything I’ve led the reader
to expect. I’m still not editing for details, I’m looking for those
main themes I promised, those character foibles I’ve hinted at, the
consistency of tone and style that I established in that opening.
When I’m satisfied, I know it because I’m
enjoying the story and that’s huge because at many stages of
writing a story, I haven’t enjoyed it.
As Sol Stein says, “The pleasures of writer and reader are
interwoven. The seasoned writer. . .derives increasing pleasure from his work.
The reader in the hands of a writer who has mastered his craft enjoys a richer
experience.” [Stein on Writing]
Sudden Secrets
by C. Lee McKenzie
Teaser:
one
Secret
Cleo
has struggled to heal after her baby sister’s death, but the flashbacks to the
accident won’t go away. With the
move, she vows to keep her tragedy a secret and avoid pitying looks.
one
Mystery
Something’s
strange about the abandoned house across the street—flashes
of light late at night and small flickers of movement that only someone looking
for them would see.
Everyone says the house is deserted,
but Cleo is sure it isn’t, and she’s
sure whoever is inside is watching her.
another
Secret
In one night, Belleza’s
life changes forever. So famous, her only choice is to hide her secret from the
world so she can silence small town bigotry.
Then Cleo happens.
Sudden Secrets does indeed sound intriguing. Lee's writing process obviously works and I'm going to study it very closely.
Thanks for sharing, Lee!
BUYLinks:
